Canon GL1 MiniDV Digital Camcorder with Lens & Optical Image Stabilization

Great movies start with great CCD sensors, and Canon cuts no corners here. For the best possible picture quality, they use three separate 270,000-pixel CCDs (one for each primary color). To further improve image detail, Canon has intentionally shifted the green CCD half a pixel horizontally and vertically. This shift allows more accurate interpolation, resulting in an image that Canon claims rivals those from cameras with 410,000-pixel CCDs. Each pixel is 72 square microns, which is about 1.5 times the size as those in competing camcorders. This increased size increases light sensitivity, allowing you to shoot in lower-light situations. Ultimately, the larger pixel size results in an improvement of 4 dB loss budget in sensitivity.

For great optical quality, the GL1 uses a fixed (nonremovable) 20x optical (100x digital) zoom L-series fluorite lens. The fluorite element in the lens increases sharpness and contrast, as well as helping to preserve color fidelity.

Audio is recorded through the built-in microphone, which features two pairs of pickup elements. Audio can be recorded in 16-bit mode on two channels on one track. Alternatively, audio can be record in 12-bit mode, where the audio track is divided into two, and two channels of audio are recorded onto one track, with the other left over for audio dubbing.

The electronics of the GL1 have many advanced features, including a number of programmed AE modes, as well as both shutter and aperture priority modes. There are two different auto modes, one of which allows you to adjust any setting manually, if you want, and the other, which adjusts every setting automatically and lets you adjust nothing. A spotlight mode automatically compensates for lighting difficulties when shooting a subject bathed in a spotlight. Finally, a sand-and-snow mode is designed to prevent dark, underexposed subjects in situations with bright backgrounds--commonly found in sandy and snowy areas. There are also three different shooting modes: normal movie mode, digital photo mode, and frame movie mode. Normal movie mode is for any time you want to shoot video footage. Digital photo mode records a still image for six seconds on the miniDV tape, and also captures any audio, such as a commentary. The frame movie mode records 30 still images per second, but it isn't intended to be used for shooting video. Rather, frame movie mode should be used as burst or continuous shooting mode, as you'd find on a still camera.

The GL1 uses an IEEE 1394 port for digital editing and for transferring footage to and from other IEEE 1394-compliant devices. The camcorder also has RCA (composite) audio and video ports, and an S-Video out. The analog inputs allow you to transfer old footage to DV for archiving. Built-in effects include a fader for transitions, black and white, slim, stretch, and strobe. Picture adjustment is also possible; you can adjust camera sharpness, softening or sharpening your subject, as well as the color tone and how dark or light the camera sets the auto-exposure level.

It could be said that the GL-1 is among the worst of the best, but that is not a fair way of comparing its features to other camcorders. The GL-1 is top end material, producing similar or equal quality as equipment costing twice as much or more. The lower price mostly reflects the fact that the GL-1 does not have as many features as the more expensive models. It already has more buttons and settings than most of us even want to know exist anyway, so except for professionals and hard-core video fans, we amatures are plenty happy to leave the settings on 'automatic' and simply push the record button.

What really matters is the end result, and viewing a video on your television recorded with the GL-1 looks no different than a video recorded with more expensive models (well, unless you are one of those hard-core types who are very critical, but then too, every camcorder model produces slightly different results, so any differences noticed would be noticed in all). The major end-result difference will be noticed in audio quality. Recording video in a normal room setting is no problem, it comes out great, but in areas with high noise, winds, or too low of sound, the recording is sometimes less than desired. Too loud of noise causes distortion (avoid sitting directly in front of or even behind a rock group's speaker array, even if 75 feet away!), and when the desired sound to be recorded is too quiet, you may hear a slight humming of the camcorder's motor. Many users have solved the problem by purchasing additional audio recording equipment, which is of course an acceptable solution, but one that new owners should be aware of.

Every camera of course has it's good points and bad points, and except for the bad points of not-perfect audio, everything else about the GL-1 is good. Good balance, medium weight, easy loading, good battery life (1 hour with the factory battery, other batteries can be bought that will record for over 3 hours), and the appearance does say you are using high-end equipment.

All things considered, the GL-1 is right about in the middle, giving better results than all known lower-end models, but not quite as good of results as the more expensive models. The Gl-1 is Goldilock's "just right" choice (sorry, I just had to say that).

The Sony camcorder is said to be a little better, close to that of the Canon XL-1, and I did consider it, but at the time I had just overcome a less than favorable experience with a Sony product and I did not want to make another mistake. If you have the money to spare, get the XL-1 just because it's cooler looking, but for fast, easy, quality video, the GL-1 is a great choice.


Worth the Price   November 27, 2002
 14 out of 14 found this review helpful

I bought this camera about 10 months back, and at the time made a compromise in choosing it because I couldn't afford the XL1S. What I've learned though after using it for so long now is that Canon didn't compromise on this camera. The GL1 has essentially every feature the aspiring film maker or video professional needs to get underway quickly and easily.

My favorite feature of this camera is the frame mode ability that allows you to shoot non-interlaced video, with results that are very similar in appearance to film rather than video. After shooting in frame mode and seeing the results, I've yet to shoot interlaced video again.

The one thing that this camera lacks is any ability to manually control the audio levels for the internal or external mics, which can sometimes give you less than optimal results in situations where the noise volume fluctuates noticably, or where you are trying to achieve a specific audio effect.

Summary - Excellent camera worth the price tag. Across the board, far more features and better quality than all competitors in its class. Probabaly the only camera that can top the GL1 in this class is the GL2.


Professional Quality Video...period.   August 3, 2002
 9 out of 9 found this review helpful

I wasn't so sure about this camera because I had listened to the hype about Sony DV cameras. But let me tell you, I have never seen a mini DV camera pack such a punch for the price. Between the GL-1 and the much more expensive Xl-1, I cannot tell that much difference at all, maybe none at all. This camera captures truly stunning video. From reproducing each and every color vibrantly and crisp to the razor sharp picture quality. And I haven't even gotten to the microphone. It captures the audio very true to life. From soft whispers to loud bangs, the audio never becomes muddled or distorted. The menu buttons and function keys are all very well placed, and it takes a still photograph of a fairly decent quality, although it couldn't compete with a 2 megapixel photo camera. It has many different video modes,including toggling between Video and Frame recording, although most of the time you'll never need to take it off of automatic. Another sleek feature is how it captures video in low light. In low lighting conditions, the picture NEVER becomes the least bit grainy. I am continually impressed, and am impressing others with this camera. It is perfect for the beginner or the pro.


Good zoom, color, shutter, controls= medicore image?   June 18, 2002
 12 out of 16 found this review helpful

I just purchased a canon GL1 for use with filming sports (I am a golfer). My overall experience has been good but things are left to be desired. This review gives you the good the bad and the silly, so read on!

The Good

The controls on this thing are great, it's almost like having an SLR in a camcorder. The lens on this thing is great! Images come through very bright allowing for high shutter speeds. The zoom is 20X optical and something like 100x digital, and the digital zoom is usable, trust me on this one. You can switch between interlace and progressive scan with the use of one button interlace=60 1/2 frames per second, progressive= 30 full frames per second. The image stabilization is great, and it is very easy to shoot with. Shutter speed is good up to 1/15000 of a second. Oh and did I mention lots of manual controls if you want them.

The Bad

The CCD's on this thing have no resolution. I would almsot have to lie to tell you I get 500 lines of horizontal resolution. When displayed on a big screen pixilization is obvious. Still images stink too. You can't even get VGA out of this thing. Also the auto focus is amazingly slow. Terrible for action sequences but not a problem for a normal situation or say filming a golfer tennis player.

The Silly/trivial

You need to push a seperate button to eject a tape. Canon could have made this thing smaller to. The camera has an uncomfortable inbetween size. It is by no means small, not even medium sized, but not really one of those huge shoulder mounted things. The LCD screen on this thing could have been bigger too. In all honesty I think cannon wasted a ton of space on this thing. I know some will say the lens head is big, and that is fine, but the tape deck is way too big and the LCD is almost an inch thick, not excusable.

Overall I am satisfied with it. A very nice piece of machinery. The best camcorder for recording golf hands down.